Projects, drawings and various models completed while studying Architecture, at the University of Technology, Sydney.




Architectural Design: Forming - Machines, 2011


Specific conditions are discovered through the processes of diagramming building precedents, and as a result was refined and translated into the design of a 'Machine', assembled from specific materials and located within a defined boundary. Rem Koolhaas' Maison Bordeaux was designed and constructed to suit the needs of a disabled owner who had been forced to move within a wheelchair. The design involves two different rhythms of movement users experience, reflecting the spaces and thresholds of the building.


The 'Machine' is to be experienced on the limbs of the body - the legs and arms. The user will encounter the juxtaposing experiences, and thus gains a greater understanding into the conceptual analysis of the Bordeaux House.


Tutor: Alberto Quizon

Co-ordinator: William Feuerman




Architectural Design: Making - Islands, 2011


This studio focused on the the translation of a narrative into a physical island that illustrates architectural characteristics and concepts. This project began to highlight varying urban topographies, and how - through the progression of a journey - it alters and changes within a city.


A journey was documented between two different locations - Sydney City to Katoomba - which drove the narrative of this design. Through the analysis of this progression through urban space, it was evident that there were differences within topography, environments and spatial attributes.


The island became a direct diagram to this urban analysis, exploring ideas of form, movement and circulation, and investigating restriction, progression, and parasitical ideas of urban sprawl.


Tutor: Allison Earl

Co-ordinator: Nicole Gardner




Global Studio: Interior and Spatial Design - Seoul, Han River, 2014


The Seoul-based Global Studio examined the relationship between the urban fabric and the Han River aiming to develop both communal ammenity and cultural capacity within the infrastructural edge that remains vacant in contrast to the rapid moving city scape.


The studio examined the relationship between the interior and urban conditions as a mode of linking the city to the rivers edge. The project involved research that investigated the vastly different urban conglomerates in and surrounding Seoul as to provide a syntax for the hypothetical project.


Tutor: Peter Farman, Thomas Cole





Architectural Design: Field - RE:TYPE, 2014


RE:TYPE focused on the use of typology in the design process - allowing a dialogue between the objective externalities of a particular project and the subjective internalites of the creative agent. The studio acknowledged the value of precedent not as a model to be imitated but rather as a repository of knowledge of ideas, a critical starting point both consciously and unconsciously.


By redesigning the UTS podium in integrating student housing, there is an easier means of communication between student and public - due to its direct relationship to Broadway - providing a variety of public activity converging with students of the campus. By introducing public programs into the UTS campus it allows a free-flowing connection of the campus into the city.


Tutor: Alberto Quizon

Co-ordinator: Urtzi Grau (Fake Industries)



Urban Islands: Cockatoo Island - A Graphic Cartography (Jimenez Lai), 2014


Cockatoo Island presents new opportunities within the city through its unique conditions. The site has been continuously inhabited, altered and reinhabited through outs its history. In the past it has been a brutal prison, a training facility, and used for naval shipbuilding - and now a site for cultural experimentation for artists and architects.


Through the findings of hidden spaces, misplaced characteristics and awkward moments within the island - there seems to be a hidden reality that foretells the intricate nuances of the island, and how its space came to be (as well as potential future uses). The project narrates and documents other histories, alternate realities, future realities, or realities that have not been told - foretelling fictional architectural explorations of the near reality and morphed history of Cockatoo Island.


Project with students from USYD, UNSW, UON, and University of Adelaide


Tutor: Jimenez Lai (Bureau Spectacular)

Co-ordinator: Tom Rivard



Architectural Design: Integration - Sydney Olympic Park High School, 2014


By investigating moments of uncommunicative modes of movement that is experienced on a daily basis provides an opportunity to create a hybrid of transport types to create richer forms of communicative intersections. Through the design of Sydney Olympic Park High School, we took advantage in areas of mixed-modes of circulation and began to create new forms of visual, personal and movement connections.


The design proposes an intersection and a hybrid of two types of movements (walking and cycling), and in doing so, hopes to create new forms of knowledge production and learning. It is in these spaces that juxtaposes the two means of movement, and in return provide a hybrid of circulation that deals with spatial proximity and radius, as well as fluid forms of movement.


Project with Reid Scarfone


Tutor: Tessa Dobbs

Co-ordinator: Anthony Burke



Urban Innovation Ideas Competition - George St, 2015 '2020'


Bounded by large buildings and high rises, we define city space as the ground floor of the large vertical void that is generated by these buildings. However by shifting the way we read the city in terms of solid/void and the verticality of space, we are able to generate and redesign spaces that can transform the city.


The proposal for a more innovative George Street consists of a transparent white veil that suspends from George Street, and into Martin Place. The fabric intends to provide a sheet that begins to divide Sydney's preconception of city space, creating a more intimate outdoor living room that starts to provide a hybrid of commuter thoroughfare and a hang out space for users. Furthermore, the divide acts as a soft box that fluidly diffuses and reflects light between buildings, while also providing a blank canvas that can also be adapted for art installations and projections.


Project with Diana Bui


Masters Design Studio: Architecture Without Occupants, States of Obsolescence, 2016


Whereas the objects and artefacts of previous societies were adapted or handed down, the march of technological advancement demands the incessant outmoding of current systems and formats. New computing hardware enables new and improved software - leading to software and file obsolescence, while new software will not run on old hardware – exacerbating hardware obsolescence.


The Bare Island Storage Facility addresses the conundrum of digital storage obsolescence, offering an opportunity for the collection and conversion of redundant forms of digital storage. The facility provides the required hardware, software, and physical connections to translate between various eras of storage formats, and to update outmoded media to current operating systems.

Housed within Bare Island’s redundant fort, itself a monument to outmoded technology, our proposed facility anticipates its own obsolescence. Comprising modular storage containers, a crane gantry, and a mechanical elevator, the facility is reconfigurable and ultimately removable, leaving just the barest traces of occupation.

Project with Annie Vu and Boris Nikolov

Tutor: Other Architects (David Neustein and Grace Mortlock)